banjo headstock identification

In 1987, after the Gretsch family had re-acquired their name, re-introduced the B&D Silver Bell but the market didnt seem to care. The financial strain became too much and the company sold in 1940 to Gretsch. There can easily be more numbers within each year listed. Materials and methods of production were reviewed and revised. 1972 L-5S launched, but shipping totals list no instruments being shipped until 1973. For example: B&D had several un-numbered models between 1913 and 1920. The Southerner Jumbos were the most expensive flat-top guitars Gibson offered at the time. The sunburst finish was generally $30 less than natural finish. target no need to return item. After October 1930 the body and style designations and the serial number appears stamped on the neck blocks: Since the Larson brothers built guitars for many brand names, identification can be difficult, but there are a number of stylistic and structural building techniques that help narrow the exercise. Tstyle of tuner lasts into early 1943 (FON 2221 last documented series with this tuner style), Late 1942 poplar neck blocks (Late 1942 FON 2119 with FON 2143 being the last documented series with mahogany neck block.). Please note this is an archived topic, so it is locked and unable to be replied to. The 5th string is not only shorter than the other four banjo strings, but this string is also the highest in sound (or pitch ). For example, one head might sound right for one player on a five string banjo, but be disappointing on another players tenor banjo. Starting in 1923, models included: the Silver Bell, the Super Banjo and the Blue Bell. English mandolin banjo, by cuckoo, circa 1900s, of typical form, 'Cuckoo' imprinted on the headstock, 55 cm long American Orpheum mandolin banjo , by Rettberg & Lange, no. 1973 $895 L-5S a few instruments shipped and cherry sunburst is the only available finish. At the turn of the century, Orville Gibson was refining his notion of the superior mandolin: carved in the tradition of violins for greater volume and tone as well as comfort. Semi-hollow guitar serial numbers are found inside the 'top' F-hole on a label. Many banjo manufacturers, in addition to making banjos under their own names, It will be interesting of one of the BHO members has a vintage Kay catalog with that particular banjo. The top and back bindings were black plastic with red line highlights. The bracing was revised to accommodate the moustache bridge and generally heavier than earlier models. See more ideas about banjo, guitar inlay, ukulele. Banjo Headstock Designs. Body shape changed to square shoulder dreadnought. Design your own Huber Banjo. B&D models stopped around 1968 following Baldwins (Gretschs parent company) 1967 purchase of the ODE company. My understanding is that only 12 of these particular banjos were ever manufactured by Kay. Gold-plated tuning gears, LOTS of abalone inlay. Augustino LoPrinzi Guitar Maker Clearwater Florida (LoPrinzi name bought back from AMF) Instruments designed and built by Augustino and Donna LoPrinzi (daughter). The rosettes were simple white-black-white. Like everything else, we have seen exceptions to the listed dimensions; especially the nut widths. Late 1974 gold covered recording pickups are replaced with humbuckers. Kay company banjos were normally not that high-quality but this one is different. They are maintained by Donna LoPrinzi in Clearwater Florida. LoPrinzi Rosemont, New Jersey built by Augustino LoPrinzi (and apprentices) with Augustino on the headstocks. The headstock shape is very similar and it has the hexnut . Skip to main content. The 5th string is a crucial distinguishing characteristic of the five-string banjo, both in the instrument's appearance and in the sound of the music. The narrower guitar sizes allowed for available materials. Gretsch appears to have started a new numbering system at about that time. the teacher or distributor. Worthy of mention is the Jumbo Deluxe, though it is believed that only 3 were ever made in 1938. The tradition had been Bug style mandolins: bowl-backs with flat or bent tops. Your banjo is Asian made, likely Korea, but maybe Japan. banjos, not surprising since they bought out the Buckbee factory in 1898. The swing distance is important because it dictates how large a turned piece can be on that particular lathe. I have to say that it is most interesting. It appears to be all original except for the bridge, which appears to be a banjo bridge crudely slotted for 8 strings, and the head, which is probably plastic. The neck was basically the neck stocks from the L-5 archtop: 3 ply maple with single wide bound scalloped fretboard ends and headstocks and the early models had the L-5 flowerpot inlay on the headstock. Ironically the first blond J-45s were actually built in July of 1942 (Called the J-45N for Natural) and the actual number of these shipped is not known for sure. Research our price guide with auction results on 40 items from $35 to $2,928. Nice playability, great tone, strong low end and good sustain all the way up the neck. 1970 onward: 1 piece maple. It was reintroduced in limited editions in 1991. There were many name variations for The Bacon Banjo Company, Inc. but it remained in Fred Bacons name from 1920 until the company closed in 1938. It was basically a slope shoulder dreadnaught like a J-45 or Southerner Jumbo and designed for the country and western market. A New Leaf from Steven Moore. So, take a look and . They were the J-45 and the Southerner Jumbo. There was a line of black inlay (or ebony layer) along the centerline of the back of the neck. Slanted mid 1940's Gibson Logo. Weekly newsletter includes free lessons, favorite member content, banjo news and more. The 1975 price was $659. My understanding is that only 12 of these particular banjos were ever manufactured by Kay. A maple, prewar style bluegrass banjo made like the classic banjos of the 1930's with the same materials and the same weight, design and features, the Golden Era is one of our most popular banjos for traditional bluegrass bands. Some banjo . Similar to A, but with double purfling on the soundhole. B-series Factory location: Grand Street, New York City from 1972 to 1973. Yes, paging Scott to the Collector's Corner, please. The necks were 1-piece mahogany V shape with a Brazilian rosewood fretboard at 12 radius. A2-Zs were theoretically made during the Loar period of 1921-25, but only between 1923 and 1924. It is, therefore, not unusual to find older mandolins with replacement bridges. Yuletide. Richard Schneider and assistant Abe Wechter acted as the on-site, full-time luthiers to collaborate and develop Kashas theories and bring them to a manufacturing reality. They could be strung with steel or nylon strings. of their later banjos had elite tailpieces, Orpheum-like hardware, and long, During 1880-1890 Fairbanks joined with William A. Cole, a successful performer and teacher, and produced approximately 9000 banjos as Fairbanks & Cole. The first two digits tell you the month the banjo was built, the last two digits before the dash or space will tell you the year, and the numbers . The choice to discontinue the Mark Series had to do with the general turmoil of the Gibson company in the last years of ownership by Norlin. World War II changed many aspects of the guitar world. Where no serial numbers are shown they simply are not known. 519,409 In 1894, he patented this wild banjo with a neck that folds in on itself at the 10th fret in order to facilitate transportation. Knob changes usually following other Gibson electrics. Even the group of inexperienced entreprenuers could see and understand the value of the Gibson name. New Location: 1908 into 1916: Elevated pickguards of plastic tortoise shell clamped to the body with a removable clamp and pinned to the bridge. He was also a guitar enthusiast with a passion for physical and psycho-acoustics. The Kalamazoo plant kept going for a few years as a custom-instrument shop, including the Mark Series instruments, and was ultimately closed in 1984. That being said, and allowing for the large numbers of prototypes and other Gibson anomalies, the following can be used s a guide to help get close to a proper model identification and its year of production. It was during the years of 1977 through 1986 that most of the high-end lines at Gibson were discontinued: The ES-350T, L-5S and the Mark Series among them. In 1947 the name changed to the J-200 and the standard back and sides became highly figured maple. Buy in monthly payments with Affirm on orders over $50. CONTACT US; Headstock Shape. 1978 $1079 Tobacco sunburst is dropped for Fireburst; Maple is now described as Natural. Not many were sold and the production run was therefore limited to 2 years. How to customize a Huber Banjo; . By 1939 the 3 tone bar system was reduced to 2 tone bars and the angle of the X braces change to approximately 95 degrees. The Gibson Company was formed in late 1902 and the early mandolins evolved from the original Orville Gibson designs. Dimensions: 16 wide, 10 1/4 long and 4 1/2 deep. The focus of the site is antique and vintage banjos and mandolins, but there are . Presentation banjos often turned up at NAMMand other shows. S3R3H, Like S3R, with 3-piece back, full herringbone binding, gold tuners. Only about a dozen were made. Martin introduced their versions of acoustic-electrics: the D-18E in 1958 and D-28E in 1959. Here's the photo gallery that I put together:velkdesign.com/assets/banjo/. Take your playing to the next level with the help of a local or online banjo teacher. By the end in 1985-86, Gibson was basically down to the Les Paul model alone. Information gleamed from the Mandolin Cafs website over the years. It was a refinement of the slope-shoulder design of the original Jumbo but slightly deeper: 4 13/16. Yes, please do post your tune here on this page. The back braces were tall and thin and Gibson scalloped the top braces. The last 4 digits are a neck number. These digits should match the 4 digits found on the back of the peghead of your banjo. in the third row of pictures below: Lyon & Healy (1864-1940) made many grades of banjos in many styles, RB -- regular banjo (5-string) TB -- tenor banjo. All Rights Reserved. It was built for Hollywood singing star Ray Whitley as the worlds biggest and fanciest acoustic guitar. Gibson hoped to score the same type of success that had occurred with Lloyd Loar in the 1920s: redefining the acoustic guitar for generations to come. LoPrinzi Guitars Plainsboro, New Jersey AMF years (serial numbers: high 3,000 4,000s) Tom LoPrinzi was still with the company. Following many prototypes, shapes and bracing patterns, the Mark Series was launched in 1975. It marked the beginning of a new era for Gibson. If1970s, would be Japanese, more likely. The 1975 price was $879. ss stewart presentation banjo - Google Search. The first number of the sequence indicates the decade of production, followed by the three digit day of the year, and finally the year. New guitars were supplied with user applied pick guards, and extra saddles of different heights that could be easily inserted to adjust the string action to accommodate the swelling of the instrument with seasonal humidity changes. No binding, no inlay and no decoration. Thanks for the history, I always love the story. AMF ceased production of LoPrinzi guitars. 1921 early: 3/8 adjustment wheels, short base and aluminum compensated bridge top. For example: Gretsch stopped production of Bacon and B&D banjos. For sale for $50 cash, firm. It was the innovations of the Loar period: 1921 through 1925 that saw the introduction of the truss rod, adjustable bridges, bracing adjustments, thinning and grading of the tops and numerous other refinements to create the standards that are still used today. It shared many features with the L-5 archtop electric acoustic: The neck was basically an L-5 neck in scale, section and detail. Due to the plain marks on the bracing, it is believed that every top was tuned by the same Gibson employee. Mark Johnson; Regular Hours Mon-Fri: 10:00am-4:00pm Extended Hours January-April 8:30am-5:00pm; 239 West 400 North, Lindon UT; 801-785-3161 The model started production in 1938 as Gibsons top-of-the-line flat top guitar. I chose a .090 binding that is layered, for a nice pin-striped look and Stewart MacDonald Guitar Shop Supply makes the perfect set of bits for routing headstock for binding called Piloted Binding Router Bits. It is most common after 1923 when most Gibson model As had this shape. Start your day off right, with a Dayspring Coffee The Southerner Jumbo (later shortened to: Southern Jumbo and then SJ) was a fancier J-45. Instruction * ConcertsJams * More If you want to use any of this information: The following versions evolved quickly to 14 frets clear of the body. 615-264-4959. To complicate matters, the Larson brothers appear to have used different numbering techniques for different brands that they supplied. Huber Banjos offers our new owners the option of either customizing one of our stock models, or "designing your own dream banjo" from among the various wood and metal configurations, and the many . They were too late Gibson owned the market and the Martins were dropped 6 years later having only sold about 540 combined. It is not clear how many were made, but it is likely that there are less than 12. The Gibson LG series of flat-top guitars were developed as the natural evolution of the earlier L-Series. Some rectangular examples, black bridge pins (2 pearl dots on rectangle bridge), Headstock appointments: gold decal: Only a Gibson is Good Enough banner. B. Schall (1878-1907) manufactured many unmarked banjos for Similar to A-2 but with snakehead headstock, blonde finish, b/w binding, and A2-Z on the label. ARIA 921C. Mid to late 1944, the neck block revert back to mahogany, though poplar is occasionally used. To confuse matters, they also manufactured Bacon banjos that had been developed by Fred Bacon: the Professional, the Orchestra and the Blue Ribbon. Then Gibson developed the adjustable bridge. There is a Kay company logo on the headstock but absolutely no other identifying marks. There were 1229 made. LoPrinzi Guitars most from Plainsboro New Jersey. Hard-stamped serial numbers. The Mark Series guitars were particularly interesting among the Gibson flat tops made in the 1970s due to their unique bracing. The other digits in the serial number can tell you when your banjo was made. Factory Order Numbers (FON) in the 2800s to 2900s and 300s to 500s and some in the 600-800s and 1000s range. 3 hrs, 'Pisgah 12 Builders Choice Custom Walnut Dobson 5+1 String Banjo' 3 hrs, 'Custom 12inch Billybilt Banjo w Figured Maple neck and Curly maple RIckard Pot and Balch head' 4 hrs, '11inch Billybilt Banjo with Antique Spunover SS Stewart Pot and Curly Maple neck' 4 hrs, I see no collectors market for banjos like yours.<, We use cookies to ensure that we give you the best experience on our website. You may, however, start a new topic and refer to this topic with a link: http://www.banjohangout.org/archive/276603. 585 Grand Concert: rosewood back & sides, MOP, colored wood appointments and a Tree-of-Life fretboard inlay. There were 1424 made. The FON is the only identification number on Gibson's lower grade models (like the ES-125, ES-140, J-160E, etc.) If the fretboard was bound, they generally added a stripe of black under the side binding. They did provide paper labels for the instrument that they represented but did not provide labels for custom instruments or other shops or manufacturers. 1955: Gibson stopped scalloping the bracing it was faster to produce but not as strong. Factory numbers (when the exist) appear in pencil inside on the block where the neck meets the body. They did not imprint the instruments with any particular brand. You can buy the book here on Amazon and I would highly recommend it. Hard-case rugged and gig-bag light! Leland Brilliantone (1910 1918?). Sounds great and the instrument is very easy to play. 1946 onward: No feet the bottom of the bridge flush on the instrument top. Information gathered from many sources but there are a few that need to be acknowledged: Dan Beimborns original Mandolin Pages web site and later contributions to the Mandolin Archive. The one delivered first to Ray Whitley was not the model now seen as the beginning of the Super Jumbos, but a simpler 12 fret version. It had chrome plated standard friction pegs, rosewood finished neck and headstock with matchin resonator. Banjo not included or available. Over time the J-35 braces began to appear scalloped. Manchester University, Instruction * ConcertsJams * More This was adapted to the mandolin over the next few years. 14" resonator on the banjo examined is probably non original (Korean). If the serial number is legible the instrument can be relatively easy to date. The individual artist's touch on the . JR3H, like JR, but with 3-piece back, herringbone binding & gold tuners. Buckbee (1861-1897) banjos can frequently be identified by their middle-sized, chrome tuners. Electric guitars having the serial number on the back of the headstock. Laminated maple back and sides is discontinued (FON batch 2828 used maple back and sides). White from 1928 to 1943/44. The fingerboard of the L-5S is in with select abalone. Format: 2 (Identifier) YY (Year) XXXX (Numerical ID) Example: Serial number . It is important to note that there are exceptions to every rule and the following is only a general guide for identifying Gibson "A" Style mandolins. 562 Standard size with rosewood back & sides, MOP and colored wood appointments. The LG-Series is 2 narrower than the J-Series. Rettberg & Lange (1898-1920) banjos were initially similar to Buckbee-made The strings are tightly wound at the headstock so the banjo player can form cords along the fingerboard. If you would like to use content from this page, see our Terms of Usage policy. The Lyon & Healy peghead shape used on most of During the war years women played a greater role in manufacturing while young men were fighting overseas. Instrumental. Wiley Morris of the Morris Brothers Hillbilly Band and Charlie Monroe (Bill Monroes brother) took to the instrument for its potential in the roots of Bluegrass music. Gold script Gibson logo, Pickguard: Tiger-striped & teardrop shape, Finish: brown sunburst top finish, dark brown mahogany back and sides and neck, Body Binding: 7-ply top binding and single ply back binding, Tuners: Kluson Mfg Chicago and Pat. stamped into the plate in a circle around the attachment screws, plastic button usually white but sometimes black), Tortoise-shell teardrop pickguard replaced the tiger stripe material, Single bound top and back, multi-bound rosette, Mahogany neck but a few Maple necks with a single walnut stripe down the center (3 piece neck), Three layer w/b/w tops and single layer back binding, Mahogany neck block with beveled sides, changed to a mahogany neck block with square sides, Tuners were 3-on-a-plate Klusons with exposed gears and Kluson Mfg Chicago and Pat. stamped into the plate in a circle around the attachment screws, plastic buttons (usually white but sometimes black) and 1/4 diameter posts. Collector's Corner Towards the end, the line actually continued to increase in sales. A total of 2,477 J-35s were made according to Gibson records. These instruments live a bit outside that critique. It had a 24 3/4 scale and was constructed of all solid woods. 2 foot pressed arm rest and flat head tone ring. The public seems to have favored this shape over time as it fetches better prices now. It became apparent early that the new design concept was good: they were, in fact, louder and more cutting in tone. 15 Mahogany top, back & sides no binding, 17 Mahogany top, back & sides bound top. Ironically, the script logo on the headstock was old-style. There is a steel tone ring on the maple rim, and the rim has a maple cap. Most have the patented L&H tailpiece shown in the inset. gibson one-of-a-kind Christmas banjos! The USA distributors in the 60s and 70s used their own serial number systems and we do . The necks and heels were rounder. Size 3 Gurian, either acoustic or amplified. Weve seen some serial number lists that are as much as 8 years out-of-sync with this list. The soundhole size coincided with the overall size of the instrument. Acoustic guitars are punched inside the soundhole on a sticker behind the strings. MIDWEST BANJO CAMPJune 1-4, 2023New Manchester, IN, 'Pisgah Banjo Co. raffle for Arnold Shultz Fund extended to March 10, 2023' 2 hrs, 'Pisgah Banjo Company banjo raffle extended to March 10' 2 hrs, 'Lost Indian: Samuel Bayard collection ' 3 hrs, 'Lost Indian: Samuel Bayard collection' 3 hrs, 'Flinthill FHB-300 - Killer bluegrass banjo for the money!' The later pickguard clamps have a stamped patent date of July 4, 1911. At the time, the Nick Lucas model was the largest flat-top Gibson offered. Music Love. PB -- plectrum banjo. It's difficult to positively identify the manufacturer of these . 2: The Histories of Cool Guitars". F Style mandolins have a carved nautilus shaped curl on the upper left-hand bout. See LG-0 for materials and dimensions. These appear to be the easiest to find and quite reasonable to buy. Banjos with pegheads like that shown in the first picture below are usually made by Buckbee. Early 1970's block shaped no dot over the "i" closed "b" and . side of the top of the peghead (see last set of pictures below). I have an open back banjo with a number 44 stamped in the ring, and May 2, 1899 carved in the support on the backside. Plectrum. Between 1975 and 1979, Gibson worked with Dr. Michael Kashas acoustic theories for guitar and Luthier Richard Schneiders design applications to create a unique instrument for the Gibson acoustic lineup. Introduced August 1942 and J-45s are still available today. About Larrive Guitar Labels Mid 1950s: the pickguard changed from the teardrop to the larger undulating shape like the pre-war J-35s. A head on a long neck open back banjo might sound completely different on a 12-string banjo. A Style mandolins were symmetrical and shaped like a teardrop. Larrivee Serial Numbers (approximate). Cherry Sunburst is still available. The flood of returning soldiers with a broader world-view brought new musical tastes and new hopes for the future. I'm kind of with Bob on the Korea origin - almost screams Sam Ickfrom the 1980s to me - except that it's a little understated and the finish isn't as thick as you normally see on a Samickpresentation banjo. For example, the serial number 90237XXX corresponds to a production date of 1/23/97. Its difficult to positively Scott Zimmerman may be able to shed some light on this. These shoes are shown in an 1890s Washburn banjo catalog, on low end models with . A simpler variation on the SJ-200 with fewer appointments and a lower price tag was the SJ-100. The Gibson CF-100 was introduced in 1950 (the CF-100E was introduced 1951) and discontinued in 1960. The 1970s are viewed by many collectors and players as the low point of Gibson manufacturing. Unfortunately, the information is confusing and inconsistent. Other singing cowboys who later owned Super Jumbos include Roy Rogers and Gene Autry. The more economical Student Grade instruments were often ladder braced. The early models had shallow neck sets that increased in angle around 1908. Several other forces were at work for change: Introduced 1963, these were designed as dual-purpose instruments. Edited by - rfvelk on 12/26/2013 17:31:36, Blake507 - Posted-12/26/2013: 22:24:21. By 1936, with the depression still gripping the nation, Gibson moved to stay competitive and offer a more affordable option: The Advanced Jumbo (Advanced meaning that the size advanced: got bigger) with rosewood and fancier appointments that would compete with the Martin D-28 at $80 and the Jumbo 35 at $35 to compete with the Martin D-18. Sometimes a higher model number means a bigger and fancier instrument but there does not appear to be a thoughtful of consistent method for ascribing model numbers. USA produced Epiphones of this era bear standard Gibson serialization and include the "Made in USA" stamp on the back of the headstock. As for how I came to own the instrument, my grandmother's cousin was an instrument collector. The name variations included Bacon and Day and B&D for all the instruments co-developed by Fred Bacon and David Day. (Folk Jumbo Natural and Folk-25). The body dimensions basically match the LG-series: 14 1/8 wide by 19 1/2 long by 4 1/2 deep. They generally had birch or walnut back and sides sometimes flat and later (1904+/-) carved. The 5th string on a banjo lies within easy reach of the right-hand . Yet somehow, there's a certain cool factor to this one. Why not post a little tune with it. It also had a black veneered headstock (front and back) and a black inlay in the back of the neck. See the notes below. Ohio banjo player Steven Moore has his first solo project, Just a Little Talk with Myself, just recently released. The A.C. Fairbanks Company (incorporated 1875) was succeeded in 1903 by the Vega Company (established 1889). I own the book and have found it to be an invaluable resource in identifying these old guitars. In 1926 Gibson introduced the L-series guitars with the L-0 at $35 and the L-1 at $50 (1928 prices). Never seen one with an inlay on the back of the neck. The story of how Greg Deering came to own the over 130 year old Vega trademark is one of childhood dreams and an unmissable opportunity. There were 431 made. GIBSON GARAGE FIND A DEALER GIBSON APP. The electric version included a P-90 pickup at the end of the soundboard like the later versions of the J-160E. The Mark Series guitars had 16 3/16 lower bouts with very narrow waists, and a headstock like no other in Gibson tradition. The 1975 price was $1,999. 1-6 digits stamped into the top edge of the headstock-often difficult to read. The exceptions are those guitars sold by Selmer in the UK which will (probably) have a number stamped into the back of the headstock and guitars sold by Van Wouw in the Netherlands. These can exist on any model numbers including the A-jr. Have a vintage Harmony guitar? cases they carry no identifying name at all. Higher numbers also meant more money. They are essentially an Advanced Jumbo with minor compromises: they filled a gap between the J-35 and the J-55. Where possible, these numbers are in agreement with existing sales receipts. Saga. I just have a few questions. David L. Day was in his 70s. The banner only a Gibson is good enough logo is replaced with the old style Gibson script gold logo, The blond J-50 is introduced (limited until 1954), Bracing system changed: non-scalloped, low cut braces, Larger pickguard with point at upper bout, Headstock appointments: pearl logo inlay and crown added, Adjustable bridge saddle offered as an option called J-45ADJ. It is very showy though. During the period of 1902 to approximately 1909 the mandolins sported tailpiece covers with a curly top and internal white labels with an image of Orville Gibson holding a lyre mandolin. serial number 8382, New York, circa 1920s, intricate abalone shell inlay to fingerboard and headstock which also bears the Company logo. There are a few examples of A-2Zs with black tops, though this was probably used to cover some imperfection in the selected tops. 118 Midtown Ct # M The Jumbo 55 (J-55) was introduce in late 1939 and discontinued in 1942. S2R3H, identical to S2R, but with 3-piece back, full herringbone purflings, gold tuners. The headstock carried an inlayed script Gibson. The fretboard was bound but without extension and The Gibson was stamped into the tailpiece cover. Gibson Bottom belly ebony bridge with pyramids on the wings, Silk-screened script @ 15 degrees +/-: The Gibson, 3 on a plate open gear tuners white or black buttons, Top and body becomes all mahogany amber finish, Extra bridge pin centered below 6 in a line, L-0 Flattened lower bout increased to 14, Reintroduced as the least expensive Gibson flat-top @ $25, Body depth 3 ? at the neck and 4 3/8 at the heel, Pearl dot makers and double dots on the 12th fret, Old script silk-screened diagonal logo: The Gibson or just Gibson, Some striped tortoise plastic pickguards after 1933, Some bright white plastic pickguards after 1933, L-00 introduced as Gibsons lowest price flat-top @ $37.50, Small round amber area of sunburst just below the soundhole, Striped tortoise plastic pickguards added, Dot position markers on the fretboard edge, A few with banner logos decals on the headstocks, Light amber top Sheraton brown back & sides, Old script silk-screened diagonal logo: The Gibson, Flattened lower bout increased to 14 (possibly, Soundhole, bridge and bracing moved to compensate, Similar to the L-00 but with heavier braces, Pearl dot fretboard markers double on 12, Gold sparkle inlayed around top & soundhole, Tailpiece adjustable bridge option discontinued, Speckled celluloid pickguard added as an option, Some had 2 top braces under the fingerboard extension vs. one, Rosewood fretboard rectangle inlays at 3, 5, 7, 9, 12 & 15, Pearl diamond inlays in the rosewood rectangles, Gibson pearl diagonal headstock inlay in rosewood, in Pearloid, Pearloid headstock veneer replace with rosewood, Bound headstock, pearl Gibson, pearl truss rod cover and notched diamond inlay, No headstock binding, black truss rod cover and elongated diamond inlay, Body depth 4 at the neck and 4 5/8 at the heel, Brazilian rosewood pyramid bottom belly bridge, The Gibson pearl angled logo inlayed on headstock, Nick Lucas Special white label with picture of Nick Lucas, 14 fret neck to body joints (phased in by this time), Trapeze tailpiece with adjustable bridge option. prada marketing strategy, are tgi fridays chicken wings precooked,

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