Twenty-nine when he appeared in. There were some scenes in which the people he was filming were obviously out of it and not at all in a healthy condition, physically or mentally. Therefore, maybe his techniques did actually work quite well, although flawed and subjective in places. I personally feel that Paul Watson did not exploit his subjects in the film. When telling Vandas story, I felt he was very close to her, almost to the point where it could be seen as a personal relationship. After filming Vanda revealing what the monsters in her head were, she states Im a little bit pickled (drunk), to which Paul Watson says Im taking advantage of you. This is distressing viewing, so bear that in mind if you plan to watch it but I thought it was also great reminder to keep on doing what i'm doing and staying off the booze. There were no moments where I thought Paul Watson was exploiting his subjects in the film, I simply viewed him as an observational documentarist that attempted to explain the real horrors of self-harming through the use of alcohol. I believe he does ask himself sincere ethical questions and that he answers them truthfully. Probably. Rain In My Heart is not an easy documentary to watch. All Watsons subjects agreed to being filmed whilst they were drunk before the filming commenced, and so the question is not should Watson have kept filming?, but rather should Watson have included that part of the footage?. In addition, it appears that Watson is aware of the delicate nature of the documentary and embraces this by stating that all the filming was agreed by the sufferers, in order to shy away accusations that he is exploiting the individuals which he observes. One example from the documentary which I felt that could have made some people to view as Watson exploiting his subjects would be when one of his subject revealed (when she was highly intoxicated) that she had been sexually abused by her father. He does however, tell her that he will ask her when she is sober if she wants to keep that in. I personally think he dealt with this extremely well. Rain in my Heart is a powerfully, touching film. It was arguably and subtly manipulative how he often said would you like to carry on? as he was probably aware that the answer would be yes due to the state of the interviewees. Listen to Rain In My Heart on the English music album America by Modern Talking, only on JioSaavn. And I think shots show the photographer and the really things that Watson suffered rise the trustiness of this documentary. Another point in this film is when Paul Watson films a drunk subject who discusses the, monsters in her head, which she previously was not ready to do. Things which have been considered problematic in Watsons Rain In My Heart include: informed consent from his subjects, the argument of whether or not the filmmaker should intervene in the filming process, the appropriateness of certain parts of the film, most notably Nigels funeral and his grieving family, and finally, the relationship between Watson and his subjects. Change), You are commenting using your Twitter account. So yes, as we saw during the screening, he was primarily affected by alcohols effect on his father and then consequently, his entire family. But for the families and subjects is must be/ must have been a very awkward experience even if they had consented to the film. The film probably brought him a lot of attention (both positive and negative), which means hes profited from filming his subjects problems. This is just one example of the reaction that Watsons Rain in My Heart provoked; Not something that is watched and easily forgotten about. 22/11/06 - 10:57 #8. However, I dont think you should abuse the power and trust given by the four patients. On the other hand, I feel that some of the content included in the film did not have to be included. Rain In My Heart is a weird documentary to watch for me because it is based very near my hometown. Thus by showing footage of the real physical and psychological effects of alcoholism Watson allows for the audience to build up that empathy for the subjects on screen. Read about our approach to external linking. This can be seen when Watson is speaking to Toni about her addiction, something that Toni profusely denies she is. This for me was an awkward introduction to have with a subject you are going to see go through an emotional and dark period. What I think is that Watson did not exploit his subjects in the film. That he doesnt so anything to stop them drinking is a part of their own agency, and I believe shows more respect than if he had intervened. Yes it does raise awareness, and the documentary was good, however, to feel taken back is not the sort of emotion one should try to evoke. Watson most definitely fulfilled what he set out to do and in order to do that, I feel he had to push the boundary as far as he did to achieve this hard-hitting documentary. Therefore, i dont feel uncomfortable for his attempts within the film. Here I refer to when he would talk to the viewer/camera about how he felt at certain points of the film it drew away from the importance of what he should have really been filming and instead became self indulgent within the context. Thus creating awareness, insight into the medical world and the rising figures of binge drinking, alcohol abuse and its rippling consequences. The film charts the traumas faced by the alcoholics as they bounce between Gillingham Medway Maritime Hospital and their homes, and highlights the emotional impact their struggle has had on those around them. It serves its purpose of portraying the realities of alcoholism, and at times may seem harsh, but in doing so creates an ugly truth that otherwise wouldnt be seen. Outside, the sparrows on the roof Are chirping in the dripping rain. I think that the mutual awareness of the situation between subject and filmmaker, despite the subjects inebriation, helps to prove that it is not exploitative. An example could be when Vanda talks about the monsters in her head, one of the monsters being her abusive father, that pushed her into the terrifying world of self-harm. We have to remember that all the subjects gave their full consent to be filmed. Music Video BOWY Rain In My Heart Featured In Album Beat Emotion BOWY Listen to RAIN IN MY HEART on Apple Music. The filmmakers aim should essentially be to give a true representation of what they are filming and should present it with no bias to their views or their emotions toward the subject. I would not have the heavens fair, In many instances Watson reflects on his project and notes the issues he is creating by making this documentary; however it does not effect his ability to complete the film. The world was slowly healing. Also when he went to Vandas house and interviewed her, he didnt stop her to drink alcohol. It seems much so that Paul Watson is very much clear of his role within his observational style of filmmaking in his documentaries. Although this might be justified, as their life story is very tragic, I feel Paul Watson pushed them to their limits. Perhaps the strong emotional shocked felt from watching it is more to do with fearing our own mortality. But I find he violated the rules of documentary as he did interfere with the subjects and pushed them to an extent that made them fall back. As much as rain can cause happiness, there are times when this phenomenon can cause distress. Watson himself has said that he received criticism for not helping his subjects; this could be an argument of him exploiting his subjects. The edit involves numerous repeats of dialogue from the patients, which is played at random and juxtaposing episodes, some even without the visuals which make it seem part of the dialogue (for example, when Vanda slams the phone down in anger). This is the only area where I can see possible wrongdoing on Watsons behalf. I feel it is hard to say if Watson exploited his subjects, because I dont know whatever deal they probably made behind the screen. I think the fact that this documentary is so hard to watch gives light to the reality that alcoholism is incredibly hard to live with, and by being so thorough the film shortens the gap between subject and audience. 17,029 pages were read in the last minute. Sometimes during the film I felt like I wanted to intervene in order to stop what the interviewees were struggling with while telling their stories. The earliest version to survive in the Bible is Mark 's Gospel. Chapter 1. In the moment where Vanda passes out from over drinking, and we see Watson check her pulse, to me I felt as if he was concerned, he didnt sit back and observe her in a blackened out state, he checked on her, he was her responsibility at that moment. On the positive side of the argument I agree that Watson, through the cut away shots he includes throughout the film, allows himself to be more personal with the audience. I felt this was putting unnecessary emphasis on the ethical issues in the film; he presents himself as if he is guilty of exploiting his subjects before his audience are able to make up their own minds. On his first admission to hospital, where we see him in the film, he was given a 50:50 chance of survival. I feel as though Watson was trying to be as ethical as possible, baring in mind his need to capture this shocking footage in order to create the Documentary. Rain in My Heart I thought was a very dark, powerful and hard hitting documentary. The fact that it was all staged, distances the audience from the idea of a documentary as most believe that it must be as real as possible. RAIN IN MY HEART Mark's story By the end of his teens he was married with a daughter - but his wife couldn't control his drinking and the marriage collapsed. I think theyre happy for the attention, to have someone to listen. It was really uncomfortable scene to me, Paul trully showed the seriousness of alcohalism and it must influence to the audience. He found the only four people that were willing to take part in this film not to paint them in a bad light, but rather to show the general public what excessive consumption of alcohol could do to a person and how it can affect them physically and mentally, as well as their families. Paul Watson does a good job at creating face and gives the appearance of being genuinely interested and sympathetic so in that way it is easier for us to lower our defensive walls and absorb what the documentary is trying to tell us. such as askingcan we enter the subjects house? This is a bit more than just explaining the distress the subjects are going through. "; How the world's oldest clove tree defied an empire, Why Royal Ballet principal Sergei Polunin quit, Tourists flock to 'Jesus's tomb' in Kashmir. Critic Richard Brody (http://www.newyorker.com/culture/richard-brody/taking-it-off-for-the-holocaust) described it: Schindlers List features several of the most vulgar and repellent scenes ever filmed. I feel sympathy towards the subjects because they were, maybe, unsure as to what they had agreed to, and what it involved. The attempts to deal with these accusations are unsatisfactory as the unethical conduct exhibited in this film were necessary for the desired effect. The card is easy to customize with your wording, font, font color, paper shape options and choice of six paper types. Its an accrtate reflection of the film, filled out with music (sometimes exciting rock) atmospheric and stylized dramatic reconstruction of events, and many many many self-conscious and elaborate shots. However, you cannot debate the fact that at some points in the documentary, Watson did take it too far. Rain In My Heart is very strong film, and it gives us clear lesson about alcoholism. However, it doesnt necessaily mean it is totally a bad thing. Covering Phoenix, Mesa, Glendale, Scottsdale, Gilbert, the valley . Watson himself, also repeats that whilst he is filming them he will not intervene; it is his job purely to observe. Watson is not overly invasive at any point, and if anything my only criticism would be that he sometimes gives too much insight into how he feels about what is happening during filming, which I find unnecessary. 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