ranking taylor swift albums tier list

The album finds Swift living up to all of the praise she earned for her songwriting earlier in career. Let's be clear: There are no bad Taylor Swift albums. First released in 2008, its original release won the Grammy for Album of the Year, and thirteen years later in 2021, Fearless (Taylors Version) became the first of Swifts re-recorded albums to drop. Then there are the hopeful messages embedded in the minor-keys of "marjorie," an homage to her opera-singing grandmother, and "happiness," the chorus of which captures the album's essence best of all: "There'll be happiness after me / But there was happiness because of me.". And the majority of Lover proves her path to better things, being an airy, whipped topping "love letter to love," both for the self and for a partner. But, as is tradition, the haters hardly scratched the surface of this sixth record, overlooking its genuine feats of all-encompassing production and high-energy, in-your-face vocals. If Teardrops on My Guitar from Swifts debut album was her breakthrough song, it was Love Story, the ballad from its follow-up Fearless, that cemented her name in the pop history books. It marks a shift from the retro-minded pop-rock of 1989 toward a harder, more urban aesthetic, and Swift wears the stiff, clattering beats of songs like Ready for It? like body armor. this link is to an external site that may or may not meet accessibility guidelines. Red is filled with top notch tunes: the brilliantly snarky We Are Never Ever Getting Back Together (Swifts first ever Billboard 100 Number One) and fizzing 22 are stone-cold smashers. But this is Taylor we're talking about here, and the fact of the matter is, she's at her best at her most singular, when there's zero doubt that anyone but her could have been the creative mind behind the record. folklore. Fearless, however, just as strongly made the case that Swift had the goods for a long, rich career. It's the album that immortalized her in the cultural ethos (for the first time around), delivering instant classics in "Love Story" and "You Belong with Me" that are forever fan favorites no matter how far her style and sensibilities have evolved. "Epiphany," track 13 on "Folklore," is written with Swift's grandfather in mind. This is based on A. It's as if we're sitting round a campfire confiding in one another, sharing painful memories of when our best wasn't good enough, when our savior complex sputtered out, and when we watched them walk away. Despite the pandemic, 2020 was a big year for the artist, who released two surprise albums and secured her first Album of the Year nomination since her 2015 record, 1989. In fact, most every song is stripped to a softer core than we've ever heard from Taylor before, with the exception of some past anomalies (re: Reputation's "New Years Day"). Read on for a ranking of all of Swift's albums, from least to most iconic in descending order. But "Folklore" has a laid-back vibe that reflects the spontaneity of how this album was created. "Entirely self-penned, sans the collaborations of the previous albums, it's an enormous breakthrough in songwriting maturity, while hardly forsaking the childlike lack of pretense that made earlier efforts such guilt-free ear candy," wrote Willman. Paul Attard, Considering that Swifts previous material was almost always better when she tossed the ill-fitting country signifiers and focused on her uncanny gift for writing pop hooks, Red was a smart, if overdue, move for the singer. The tongue-in-cheek I Forgot That You Existed is a strutting reminder of Swifts skills as a lyricist. What once felt (or possibly still feels) like the end of the world is, on "Taylor's Version," also a testament to resilience we'll make it to the other side, and we'll do it again and again. 1 as it best represents the evolution of Swift and her music. evermore. "The 1" and "August" tied for the top spot. Songs range from edgy and confident with "I Did Something Bad" to breathy and beautiful with "Dress," all the while playing with different musical styles and production effects. Drag and drop items from the bottom and put them on your desired tier. " Bad Blood . "Swift's usual approach to dabbling in new genres or sounds is to go balls-to-the-wall, but on 'evermore,' she's just as good at curating these more detailed production flourishes, all with the same contouring and meticulousness as she does with her best lyrics," she wrote. As critic Jon Caramanica wrote for The New York Times in 2014, this album is filled with catchy pop tracks but it sets itself apart from mainstream music of that genre. Offers may be subject to change without notice. I'm not using the 5-tier-ranking-scale or whatever because if I did literally half of the list would be a 5/5 yeah music is pretty good rn. But just because Taylor took a sharp left turn doesn't mean she was unsuccessful. Certainly, it matters that the two albums were born of the protracted isolation of the Covid-19 pandemic and that collaborators like Bon Iver and the Nationals Aaron Dessner figure prominently on both. this includes her entire catalogue/discography and eras debut to evermore. ", "Ivy," the 10th track on "Evermore," alludes to an illicit affair, which is the name of track 10 on "Folklore.". But its All Too Well thats the finest moment on Red, and possibly the greatest song Swift has ever written. Where Swift has re-recorded an album, we have included only the new, re-recorded version of the record in the ranking. This time, "All Too Well" retires a full band backing for hazy synths, but it's anything but smoke and mirrors. All of Taylor Swift's Albums in order + Some unreleased, bonus, and soundtrack songs (only ones that are in a mostly complete state) in table form A mean/mode score calculator under each album Page 2 A macro-enabled automatic ranking table of each album's mean score, with colours that re-orders automatically as you score the songs on Page 1 Page 3 Taylor Swift Drops Trippy Lavender Haze Music Video, Taylor Swift and Jack Antonoffs 20 Best Collaborations. Where Reputation before it was a risky, abrasive side-step shrouded in a smoky eye, Lover's follow up is a blushing cheek beaming with rosy retrospection and hopes for the future. Reputation is, without a doubt, Taylor's most polarizing work to date. Rather, reputation is often compelling in its lavish catharsis, best seen on tracks "Gorgeous," "King of My Heart," and "Getaway Car" (which has co-writer/producer Jack Antonoff's handprints all over its Bleachers-like chorus builds). To celebrate, weve revisited all 10 of her studio albums and ranked them from best to worst. The definitive ranking of Taylor Swift's 'Folklore' songs. folklore is a backward glance over your shoulder clouded by a cold air exhale and it remains Taylor's greatest work to date. Two things before we get into the list: 1. Justin Vernon of Bon Iver's defeated drawl) borrows similarly spacious minor keys with ten times the heartbreak. Its a solid album which shows bucket-loads of promise; but its not a patch on what was to come later. Brittany Spanos of Rolling Stone writes that the album "most notably picks up where the pure pop triptych of '1989,' 'Reputation,' and 'Lover' left off, a dazzling bath of synths complementing lyrics caught between a love story and a revenge plot.". First contact is a shock, a singe that lingers and radiates energy, next a scab, hardening as it heals, before calming into a scar you carry, listening to, forevermore. Her eighth LP disregards the crutch of compelling production and relies more so on solemn, thoughtful writing and is her first full-length departure from autobiography into fiction. Acoustic guitars, violins, and banjos enjoy free reign, dancing across tales of childhood friends destined for sparks, short-lived summer love, and backroad rendezvous. Swifts surprise eighth album arrived with very little fanfare. So while it's vehemently impressive that an adolescent was the creative force behind the best tracks on a seven-time platinum record, it doesn't change the fact that it's far from her best work, and mostly made of songs that slip through her legacy's cracks more than any other album. If the black-and-white cover art didn't let you know this one would be different, the first song she released off the album, "Look What You Made Me Do," says it all. some of the music released later in her career. And then theres the title track, a gorgeous slow-dance, that acts as a reminder to why the world fell in love with Swift in the first place. Editors Note: This article was originally published on July 6, 2021. Note: If you make a mistake DO NOT click backspace unless you find extremely necessary. In an album review for Variety, critic Chris Willman wrote, "For some fans, it might take a couple of spins around the block with this very different model to become re-accustomed to how there's still the same power under the hood here. The album's opening, "Ready For It?," is an aptly-titled shockwave to the system compared to her previous work, abandoning instrumental lead-ins for a feel-it-in-your-bones bass machine accelerating into a rap? The distorted vocal effects and shifts in dynamics on I Knew You Were Trouble heighten the sense of frustration that drives the song, and the driving rhythm section on Holy Ground reflects Swifts reminiscence of a lover who took off faster than a green light, go. Not all of the songs here are so keenly observedState of Grace and I Almost Do lack the specificity thats one of Swifts songwriting trademarks, while the title track underwhelms with its train of pedestrian similes and metaphorsbut if Reds highlights were career-best work for Swift at the time. Taylor Swift's folklore rose from quiet shadows at the peak of isolation and uncertainty, written and produced in quarantine and released during the first COVID summer. Like the "Taylor's Version" before it, 2021's rendition of Red lassos fans' near-decade old affection and nostalgia for the songs and herds them into an encore of adoration. What follows is a collection of stone-cold glimpses into the ripple effect discontentment has on relationships: the sadness of a seasonal lover, affection and effort met with indifference, infidelity ending in death. Painting the picture of an unravelling relationship, it gradually crescendos, climaxing in the gut-punch couplet of And you call me up again just to break me like a promise / So casually cruel in the name of being honest. This winning combination warrants countless replays and, even now, listening to this song more than 10 years later reminds many of us so strongly of a crush we had when we were younger. Her detour is immediately apparent with a simple piano opening on "the 1," as piano chords echo a slight reverb off a guitar's strum-claps, while melancholy ballad "exile" (feat. She's since genre-jumped from country to proper pop, to electro R&B and bare-backed folk. The songs are as fresh as they were when first released in 2014 with the choruses still getting embedded in your head. It's no exaggeration, then, to say almost every emotion has been articulated by Taylor Swift at some point, whether in broad-stroke breakup anthems or close-to-the-chest confessionals. Overall, the beauty of revisiting Red is that many of us, at points high and low, have related to its caustic, dizzying array of emotion, tracing the nonlinear trajectory of falling in love, breaking your heart, and putting it back together again. Its a dazzling, surprising album, brimming with career-best moments, and heralded a brave new direction for the pop star. Shes described it as a sister record to the aforementioned Folklore; where that record allowed Swift to completely reinvent her sound, coupling her trademark hooks and vibrant storytelling with indie-folk instrumentals, Evermore exudes a new sense of confidence. It was all over the place, a fractured mosaic of feelings that somehow all fit together in the end. Ranking all 129 of Taylor Swift's songs (from "Tim McGraw" to the 'Reputation' era, Rob Sheffield writes, "the weirdest and most fascinating thing about Taylor Swift will always . Expectations were sky high, raising the stakes with them; just how close can Taylor fly to the sun? To make it easy for you, we haven't included Taylor Swift singles, EPs, or compilations - everything you see here should only be studio albums. And on Midnights, Taylor turns to us, yet again. Lover is a backtrack in a way. And, of course, "Marjorie" is a masterful and beautiful tribute to Swift's grandmother that's packed with soulful and illustrative lyrics. It's humbling to hear a decades-defining artist at the absolute top of her career sing confessionals about self-loathing ("I'll stare directly at the sun but never in the mirror") and toxic longing ("I hosted parties and starved my body / Like I'd be saved with a perfect kiss") with less inhibition than ever before. His contributions here are uniformly clean and efficient, but plenty of his signature production tics, even if theyre presented here in a fresh context, are beginning to feel overused. Taylor is again musically faithful to the source material she spawned, honoring her then 22-year-old self by jeering and tearing up right on que, though this time with an inherent air of maturity. Annie Galvin, Evermore is at once as confident and complete a statement as Folklore. This time, she trades her upbeat synth-pop for overt trap tremors and heavy-handed hip-hop, like harsh emergency strobes disrupting a blacked-out cityscape. It has a piano introduction reminiscent of "New Year's Day," a song about an enduring love. But Evermore finds Swift digging further into her explorations of narrative voice and shifting points of view, taking bigger risks in trying to discover how the newfound breadth of her songwriting could possibly reconcile with the arc of her career. Note: hitting 'no opinion' or 'I like both' frequently will negatively affect your results. It won a mantelpiece of awards including the Grammy for Album of the Year but perhaps even more impressive is the fact its already left a massive impact, a mere six years after it was released. to ultimate effect (and influence to mega-fan Olivia Rodrigo's raucous debut). Anyway. Standouts like "Teardrops on My Guitar," "Picture to Burn," and "Cold As You" capture the essence of this album, which is "explicitly country-oriented," as Billboard music critic Jonathan Bradley wrote in 2017. Haim collaboration No Body, No Crime is a full-blown country revenge song, while Long Story Short and Gold Rush fuse Swifts new sound with some 1984-era gloss. There are whispers of reputation as well on opener "Lavender Haze," "Midnight Rain," and b-side "Vigilante Sh-t," which are menacing in their side-eyed electro hip hop shades but with a more relaxed delivery, swapping her sixth album's shock value for more earnest meditations on conflict born out of your own misgivings. But back to the music. Its admirable that she tries to incorporate more sophisticated elements into a few of the songs here, but dancing with or kissing someone in the rain is a default image that crops up with nearly the same distracting frequency as references to princesses, angels, and fairy tales. This only further proves that "Reputation" is a prime example that Swift can experiment with a variety of genres and still create magic. But past skeptics be damned, the album has stood the test of time, with many now backpedaling their initial criticisms to revel in her unabashed outbursts of rage and ecstasy and its thematic anchor of tender love and care. The worlds defining voice in music and pop culture: breaking whats new and whats next since 1952. Insider's music team revisited the album and ranked all 17 of its deluxe-edition songs. Gone is the will-they-won't-they tension of Reputation's hushed, closed-door affair; Taylor's Lover is here to stay, and this seventh studio album exists almost solely to deliver that proclamation between a few self-love clichs ("I'm the only one of me") and tired girl-power taglines ("If I was a man / Then I'd be the man"). So it is written in "State Of Grace," beginning the album with a percussive prologue la U2, warning that we "fall in love 'til it hurts or bleeds or fades in time" before proclaiming, almost joyously, that she'll "never be the same." Whether it's a song about an ex or someone else who wronged her, Swift's clever, catchy "revenge tracks" have only continued to improve from here. The euphoric Mastermind takes it one step further, where on it Swift admits: No one wanted to play with me as a little kid/So Ive been scheming like a criminal ever since/To make them love me and make it seem effortless/This is the first time Ive felt the need to confess. How often I find myself in the mood to listen to . I don't love the way the writer described some of the albums (saying Taylor sounds like a stay at home mom? The bridge to Fifteen includes a great, revealing line about a friends lost innocence (And Abigail gave everything/She had to a boy/Who changed his mind/And we both cried), while the playful melody of Hey Stephen captures the essence of what makes for indelible teen-pop. In the 16 years since the single Tim McGraw launched Swift to country stardom, shes jettisoned the genres ill-fitting signifiers and overcome the limitations of her early recordingsimprovements captured in her Taylors Version re-recordings as a powerful statement of artistic agency. 176. Swift, of course, got her start writing astutely observed country ballads, and these songs bolster her trademark knack for lyric-crafting with maximalist, blown-out pop production courtesy of collaborators Max Martin and Jack Antonoff. Lists Evermore: Every Taylor Swift Album, Ranked According To Reddit Evermore: Every Taylor Swift Album, Ranked According To Reddit By Meah Peers Published Dec 12, 2020 With two new albums, Evermore and Folklore, released this year, how does Taylor Swift's new work compare to her classics? And though she does vary her phrasing in ways that attempt to mask her limited voice, Swift is still noticeably off-pitch at least once on every song on the album. On Thursday at midnight, Taylor Swift dropped her 10th studio album, "Midnights." But none before were so intricate and immersive as a whole fictional timeline pieced together from multiple angles in an album just over an hour long. The difficulty (and, perhaps, the beauty) of attempting to order her albums is that 1) she's been so consistently good, and 2) whichever albums harbor your affections most can change by the year, month, day, and even hour depending on your headspace and heartache. But clearly, Taylor is capable of much more, and her nine subsequent albums are proof. Taylor herself referred to it as her "only true breakup album," and like her today, whatever heartache made us once cling to Red for the solace is (hopefully) behind us now. 'Red' is filled with top notch tunes: the brilliantly snarky 'We Are Never Ever Getting Back Together' (Swift's first ever Billboard 100 Number One) and fizzing '22' are stone-cold smashers. On earworm lead-single Anti-Hero Swift sings: Its me/Hi/Im the problem, its me, the kind of thought weve all had when lying awake trying to drift off. Swift released "Reputation" in 2017, three years after "1989," a noticeable gap as she'd previously been debuting albums every two years. Unlike previous albums, no singles were released before the official album drop, and at 3 a.m. Songs that sum up this album include "State Of Grace," a different sound with gorgeous lyrics that are undoubtedly Swiftian; "I Knew You Were Trouble," a reflective song full of dramatic production effects and a driving beat; "All Too Well," a slow ballad reminiscing a past love with emotional lyrics and execution; and "22," an effortless pop hit. The singers first four albums barely scan as country music in a meaningful way, instead embracing her preternatural gifts for pop conventions, and her output has gotten stronger the more openly shes embraced those skills. It also boasts some of Swifts best ever lyricism for example its title track, where Swift vividly describes the wedding of an ex-lover: I sneak in and see your friends / And her snotty little family, all dressed in pastel / And she is yelling at a bridesmaid / Somewhere back inside a room / Wearing a gown shaped like a pastry. "Musically and lyrically, Red resembled a heartbroken person. ", Released in 2019 and named after one of the album's singles, "Lover" introduced a new era for Swift one that seemingly had elements of many of her past works, like "1989" and "Speak Now.". Cruel Summer, co-written with St. Vincent, a euphoric three minutes of exhilarating 80s synth-pop, should have been a single. Released in 2006, Swift's first studio album is so country that newer fans may barely recognize the songstress' sound considering she has experimented with a number of other genres since then. But none are more affecting than "champagne problems," a first-person post-mortem after rejecting a marriage proposal a classic "it's not you, it's me" scenario with simple piano chords accompanying the guilt of walking away and the peril of being mentally unwell ("'She would've made such a lovely bride' / 'What a shame she's fked in the head,' they said"). Thus, her 10th album is at the neutral midpoint on this list, though Midnights' careful metaphors are some of the best mirrors for abstract projection and self-reflection that listeners will find on this list. Swift shines brightest on these songs, building and developing her story out of economic but evocative turns of phrase.". Last Night by Morgan Wallen Midnights is simultaneously a rare treat and a return to normalcy. Thus, Taylor Swift is reduced to the last spot on our ranking, partially by default, though also with respect and not without a good fight. So, the savant of promotional whimsy announced an upcoming album in August, cloaked her website in a cryptic countdown reading "Meet me at midnight," posted the premise of "the stories of 13 sleepless nights scattered throughout my life," and ceremoniously revealed the track titles from an antique bingo machine in a TikTok series. Her earlier works' fanciful twang and youthful daydreams still linger on tracks "Speak Now" and "Mean," but where Fearless was purely starry-eyed, Speak Now instead wields a wonderstruck vernacular like a cherished childhood locket and scorches a hole in the heart-shaped photo. The title track, whose lilting rhythm and reverb-soaked drums and vocals are reminiscent of Mazzy Stars 90s gem Fade Into You, and the acoustic Soon Youll Get Better, a tribute to Swifts mother, hark back to the singers pre-pop days, while I Think He Knows and False God evoke Carly Rae Jepsens brand of 80s R&B-inflected electro-pop. Yet between its plot-point breadcrumbs is an inherent relatability embedded in Taylor's never-better introspection. And though Taylor's never been a stranger to love songs, here, she's more sultry than sweet. Not content with just giving us one surprise album in 2020, Swift returned to her cabin in the woods and a mere five months later released Evermore. The Grammy-winning Mean is amongst Swifts most underrated songs, Sparks Fly is a toe-tapping head-banging anthem and break-up slow-burner Back to December is a karaoke classic. From Austin Butler and Cate Blanchett to a potential Best Supporting Actress toss-up, see who EW thinks will win at the 2023 Oscars. From Taylor Swift to Midnights, we've ranked all of the singer's studio albums from best to worst. ), and is occasionally clumsy in its comebacks. Its an effortless fusion that, like much of 1989, displays Swifts willingness to venture outside her comfort zone without much of a safety net, and test out an array of sonic experiments that feel both retro and of the moment. Following on from the release of Swift's 10th album 'Midnights', let's take a trip down memory lane and take stock of the superstar's career so far. Released in 2012, "Red" is a clear departure from Swift's country days, though she holds onto her signatures, like tragic tales told with beautiful lyrics and upbeat, catchy hits, pivoting easily between the two. Although there are standout individual songs on the album, "Taylor Swift" isn't particularly cohesive and now that her discography has been built up, it's hard to rank this high when listeners now know exactly what she's capable of. The Taylor Swift song sorter and B. Many listeners at the time of its 2017 release were less than thrilled by what they saw as pseudo-edgy antics, the equivalent of a prep having a bad day and reaching for black lipstick. 40 "Should've Said No" Swift's uptempo. Sal Cinquemani, Midnights is far removed from the folk instrumentation of Folklore and Evermore, coming closest to mirroring 1989s more uptempo electro-pop palette. To celebrate Folklore's release, there is not a better time to rank Taylor Swift's albums' discography from the weakest to the best. She also notably upgrades the production, as a Professor of Commercial Music explains to EW, with subtle shifts towards a fuller-bodied musical accompaniment (no longer a one-dimensional country backing), re-layering instruments along with slight switch-ups in tempo. Marjorie is a tear-jerking tribute to her late grandmother and Justin Vernon-duet Evermore is a euphoric beacon of hope that feels especially poignant at the end of 2020. Perfectly Fine." Whether thats emphasizing the wrong syllables of words because she hadnt quite mastered the meter of language (most notable on Teardrops on My Guitar) or mixing metaphors (on Picture to Burn and the otherwise catchy Our Song), theres a lack of polish and editing on Taylor Swift. But the crowned jewel of the record is obviously the long-waited, 10-minute version of "All Too Well," an expansion on the already sprawling song widely considered by critics and fans alike to be her definitive opus (which, for an artist of Taylor Swift's standing, is absolutely saying something). Like folklore, much of evermore is made up of somber soliloquies that materialize like a fine mist over a field in the dead of winter. Of economic but evocative turns of phrase. `` about an enduring love Swift & # x27 songs! The record in the ranking nine subsequent albums are proof ; just how close can Taylor fly the! Breaking whats new and whats next since 1952 keys with ten times heartbreak! 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