shooting 800 iso film in daylight

(You might have seen that why shoot film? I wrote for Em last yr that was mostly about the relationship between grain and the image.) When there's less available light: Daytime when it's not so sunny, dusk/dawn, indoors without a flash. I would expect you to get some bloody stunning results, Julian! Also make it easy on yourself by using a fast lens like a 50mm 1.8 or 28mm f2 or 2.8. In open shade you will be fine. Proimage 100 is another film thats given me the more saturated colours I like, but as a 100 speed film, I just didnt find it to be as versatile as Id have liked. Still, consider an SLR with a very fast shutter or using filters. Is there a more recent similar source? Medium speed film should generally not be used with fast motion photography such as sporting events, indoors without much lighting, or in extremely bright lighting. Another is to shoot the film at 400-500 ISO. . The best answers are voted up and rise to the top, Not the answer you're looking for? And the opposite is true as well. As such, I then subsequently didnt shoot Portra 800 for nearly a year. Shooting CineStill 800T in daylight with and without 85C warming filter: an experiment. The filter will also darken the image, so you will need to meter at 400 on a handheld meter to compensate. Mixed lighting and images with complex colour patterns (no clear white/greyscale elements) can make colour corrections frustrating and time-consuming. This remarkable emulsion is always in high demand, and its not just the hype: this film delivers for both perfectionists and experimental photographers. Film Type: Kodak Tri-X 400 Black & White. During the daytime when shooting outdoors, you can use the Sunny 16 Rule to ensure proper exposure. The trade-off though is that your results from a higher ISO film will typically be less clean and have more grain. I cant remember exactly, but I suspect I might have decided to load a faster film to counteract the effect or also using a slower lens in the winter months. Tungsten lights glow orange at 3000K, which is similar to the temperature found on the surface of red dwarfs, and LEDs can glow blue at nearly 7000K, which is similar in colour to the ultra-hot blue stars. Daylight will obviously bring an abundance of light to your image and with a light-hungry ISO like 800, or can all become a bit much if youd like to shoot at a lower shutter speed, or with a wider aperture for some shallow depth of field. May 17, 2012. I was still getting the hang of my Noritsu scanner and so hadnt felt entirely comfortable deviating from my usual choice of film. So if you have an ISO of 100, then the shutter speed should be 1/100 (or its closest conservative setting of 1/125s). Kodak TRI-X 400 - shot at EI 3200. After shooting both Portra 400 and Portra 800, I will say that it is much easier to shoot . Shooting c200 in my canon that defaults to 100 so i get seascapes overexposed by one stop)I have recently switched from P400 to P160 for my 135 landscapes for 1 reason .Grain. CineStill 800T. Thanks to Cinestill 800T's great exposure latitude, you can easily underexpose the film for photos that appear darker and sport more contrast. Middle: inverted & equalized scan W/O any adjustments. Its really great to read about your experience with Portra 800 as Ive been using Portra 400 exclusively, rating it at 100 with results Ive been really happy with. On a sunny day, you will hardly be "forced" to configure shutter and aperture in a way which would require such high ISO, but if you have a, say, slow kit lens and the sky suddenly turns a bit cloudy, it's useful to have that option. A difference of 1 in E V corresponds to 1 "stop" (+1 stop = 2 x . This can make for an interesting effect or appear undesirable. In fact, it was this next roll the one I mentioned at the beginning of the post with the Konica Hexar and Voigtlander 50mm f/1.2 that really sealed the deal for this film for me. By accepting all cookies, you agree to our use of cookies to deliver and maintain our services and site, improve the quality of Reddit, personalize Reddit content and advertising, and measure the effectiveness of advertising. Shooting film on a sunny day? In my experience, the filter required no exposure adjustments. Notify me of follow-up comments by email. Pushing film needn't result in blocked out shadows and super high contrast. If dark matter was created in the early universe and its formation released energy, is there any evidence of that energy in the cmb? Depends on the application. All photographs and text appearing on 35mmc.com are the exclusive property of the named author (except where stated otherwise) and are protected by copyright. I only shot two or three rolls have a couple in the fridge but I think its a waste of time. When shooting at a high ISO, get the exposure right. Film ISO: 400. I'm not really sure what made me decide to load a roll of it and shoot it in daylight originally, but I'm really glad I did. Tungsten-balanced films made for shooting in artificial light, on the other hand, render a piece of paper correctly under the warm (3000K) glow of tungsten light. I included a bunch of these results in my review of the lens here, but I didnt go into much depth about just how impressed Id been with Portra 800. Has the term "coup" been used for changes in the legal system made by the parliament? Colour saturation was spot on, minimal grain, stacks of sharpness. According to the Sunny 16 rule, simply set your aperture to F16, your shutter speed to the reciprocal of your film speed (so if you're shooting ISO 100 film, ~1/100 sec), and your exposure should be close-enough to spot on; amazing! Depending on your camera you might run into shutter speed problems. Heres what I reckon now; thinking about a chat I had with a guy who runs a local lab along the lines of Ah people shouldnt make such a fuss about films, we can pull pretty much anything we want off a neg; its more about how the scanners are set up etc and I dont really agree I do think people make too much fuss about film, but its OK to make SOME fuss FWIW heres what re-reading this made me think. Yes, you can use ISO 1600 in bright sunlight. This just tricks the meter into over exposing the film. And the pub and night street scene shots were also quite stunning.My memories of shooting high-speed color film (800, 1000, 1600), whether negative or slide, were of not too wonderful colors and intrusive grain, so all I can say is much has improved since the mid- 80s Those memories had predisposed me to using either high-speed B/W or digital for low-light, hand-held shooting, so it was really enlightening to see your results in such shooting with the Portra-800.And, of course, you have notched me further along in the direction of finding a Hexar RF in prime condition For now, some Portra 800 on order, in both 35mm and 120!Cheers,Steve, Im trying to resist breaking my self imposed rule and buy some 120. If I am shooting outdoors in daylight and my Digital camera reads ISO 100, Shutter speed 1/125 and F11 Can I set my film camera to the same settings instead of buying a Meter. These were all metered either Sunny-16, or on a couple of occasions with the help of my iPhone as a light meter. CineStill's heritage comes from Kodak's Vision 3 motion picture film, which uses a traditional ECN-2 motion picture processing. I often create a new layer with pure white and pure black swatches of colour to help me quickly reference how those tones ought to look in the end. This has almost turned into a piece, hey. Last but not least, dont miss our full round-up on Cinestill 800T sample photos for more inspo. I only started shooting Portra 800 last year, when looking for more speed for underwater photography, but expanded the use shortly after that. But most of the time, photography isn't just about recording an image -- the goal is to record the best image you can. It is my opinion that the tools should not determine the way you want to shoot, but the other way around. Browse other questions tagged, Start here for a quick overview of the site, Detailed answers to any questions you might have, Discuss the workings and policies of this site. What's the difference between a power rail and a signal line? Related Post: Pushing Cinestill 800T to 1600, Photos by u/asonjones, u/asonjones, u/cheerymy, u/joko2105, u/ChillonDang. This is because the analog gain never changes in the BM cams. Some people say that 400 ISO is the "true" rating of the Alexa sensor but 800 ISO is the manufacturer's recommended rating. Once my adjustments made the image appear close to the reference, I moved on to Shadows and Highlights, returning to Midtones occasionally to fine-tune the results. I can already tell it would be too sensitive for that. Landscape photography, for example, is very well-suited to low . purchases using the links above so that this website may get a small percentage of that sale at no extra charge for you thanks. So, when you select a film to use, you need to consider the look you're going for and what the film speed will mean for your Aperture/Shutter Speed ranges in the given shooting condition. If you can get a fast-enough shutter speed at ISO 400, use that. I have just bought a few rolls of the 800 though as I was looking for a little more versatility. CineStill 800T is a great alternative to the few options we have. Develop and scan on 16K HDR lasergraphic will be cheap per frame. - Or will it always balance out when you're using the right settings anyway? Yes, it is. What ISO do I shoot Ilford Delta 3200 in? Join our mailing list! B&W film should be less problematic. Why was the nose gear of Concorde located so far aft? As Ive mentioned a few times throughout this post, its also incredibly versatile. I generally shoot with natural light outdoors with low ISO film. Photography Stack Exchange is a question and answer site for professional, enthusiast and amateur photographers. This is simply done by setting your metering to act as if its 1-2 stops higher than the 800 speed. Unexpectedly, the beauty of Cinestill 800T is that its a high speed film that wonderfully complements the daylight and were here to share how you can enhance your daytime capturing! However, colour correction is more difficult without reference material, even more so when you are working on an unfamiliar scene. Archived post. the image data. Go for one of the disposables above for non-aquatic photo fun. I also found the results out of the Noritsu to be quite impacted by the slight yellowish-orange cast this scanner is quite well known for. If you shoot 200 ISO film at 400 ISO, then photos will be overexposed by . Can I use this tire + rim combination : CONTINENTAL GRAND PRIX 5000 (28mm) + GT540 (24mm). But it's not about that; It's about that they consequentially start to recommend say anything above 400, even 1600 or 3200 obviously. On a digital camera, it's easy to play with different ISO sensitivities; you can start with your own choice of shutter and aperture, and then pick whatever ISO you need to get the correct exposure. Reddit and its partners use cookies and similar technologies to provide you with a better experience. I've used it only once, and I don't remember any effects besides more grain. 1. Using a high ISO will allow you to use very short shutter speeds (to freeze action) Sports photographers preferred High ISO films for that reason. Does that mean you'd basically be turning it back down to an equivalent of about 100? Dial in the lowest possible ISO setting that will give you a fast-enough shutter speed to avoid camera shake. Left circle: a matching frame shot with an 85C warming filter. It'll hold up extremely well from dawn to dusk, since you'll be able to shoot between ISO 800 and 3200 all on the same roll. How to colour correct CineStill 800T shot in daylight after scanning. In this video, I test Cinestill 800T for the first time in three different enviroments. They are very nice but those night shots are amazing. Its finicky but not too finicky but you do need to think about exposure more than the others. ISO 400. Another big pro of the Canon 5D Mark IV is the ISO range. During the day, the film is perfect for capturing images in overcast or shady conditions, such as in the forests, metro systems, or back alleyways. . If they dont hurry up with E100 in 120, I might have to though . But you will run into issues: You are getting the drawback of high ISO film (grain) without the benefit (high sensitivity). I say that as someone whos just committed to shooting only P3200 and Ektachrome E100 for at least 6 months in a bid to learn these two returned-to-market films from Kodak properly. Id really like to see what you do with it looking back, I wish Id known about it sooner. With the knowledge that I could get the sort of low-grain, high-sharpness results out of Portra 800 with a good quality lens, I soon decided to pair it with the frankly awesome Zeiss 35mm f/1.4 ZM and some landscape shooting in Wales. Centering layers in OpenLayers v4 after layer loading. What film should I use for black and white outdoor 'formal' shots? The greatest advantage, even today, is that film handles highlights much more gracefully than most digital cameras. CineStill 800T shot in daylight without a warming filter, scanned with no colour correction via PrimeFilm XAs. This rating is also called speed. Kodak Vision 3 technical data sheet demonstrates how its grain behaves and illustrates the impressive 10+ stops of dynamic range: CineStills signature red halos around highlights due to the missing rem-jet layer are another something that neither Portra nor Lomography films have. I typically prefer results taken with the filter, but its not difficult to imagine that certain photographs may look their best with a bit of a teal colour cast. As a tungsten balanced ISO 800 film, CineStill is designed to be shot under artificial light and also in low light. Specifically, as Ive already mentioned, I found myself particularly impressed with the level of grain, and thatdespite the lower resolution and contrast of the lens, I could also see that the film was pretty sharp too. The amount of detail you will have in the clouds and other very bright elements will make a huge difference. Can I use high ISO film in bright light (without problems)? ISO 1600 film is not the right choice for shooting on a sunny day. Actually, now Id got to grips with my scanning processes, what really interested me when I scanned this roll is that I found it much easier to get the more saturated colours I like. (Eg. I then converted the resulting negatives by. So I wanted to know if Portra 800 was just as flexible. Left: colour-corrected. Torsion-free virtually free-by-cyclic groups. Though I do think that even if I did, it shows whats possible with this film in these sorts of shooting circumstances. Of course, your mileage might vary for as many reasons as their are variables within the process of shooting it not least your personal tastes but if you like what you see in this post, I can highly recommend you give this film a go! I think there's some herd mentality to the creative range of what gets shot on this film too, but let's not dwell on that. For more information, please see our Just revisited this; I think its good to read and holds up well after two years Hamish. Throwing away 94% of the available light just to use grainy, high sensitivity film when you don't need it isn't going to give you the best image. Honestly, I think this is a nearly . Could be. What ISO 35mm film should I buy? It's also a versatile film and can be used indoors and outdoors, but preferably in lots of light. The results proved conclusively to me that those sorts of feelings were ill-founded. //]]>. Push - An overcast day or the sun is going down. The first few images are from my first roll with Portra 800. Your donations via Buy Me A Coffee and your purchases from our shop are very much appreciated. To view the purposes they believe they have legitimate interest for, or to object to this data processing use the vendor list link below. Whether it be underexposing the film a bit, or popping a filter on the lens to support, check out our tips for shooting Cinestill 800T in daylight. Practical question I get asked a lot: if you shoot with ISO 400 film (pushing to 800-1600) x-ray scanners don't harm your film. shooting film is almost a Zen approach to photography. #16. This film features vivid color reproduction with natural skin tones when used under daylight (5500K) or electronic flash lighting conditions. It seems like a hard film to learn, way more finicky that the old Fuji stuff I used to shoot was (but it say that without shooting heaps more would be bad) I have a idea; Ektar 100 is now the film for people want to shoot E6. ", because that's too arbitrary. For example, 5500K is very close to the suns photospheres 5800K. Im not really sure what made me decide to load a roll of it and shoot it in daylight originally, but Im really glad I did. What Happens If You Shoot 200 ISO Film at 400 ISO? A part of this is no doubt down to the innate image quality of Portra 800. And Cinestill also sell a film for daylight shooting, naturally named Cinestill 50D (Daylight). ISO 800, 1600. Iso 800 is a great speed for shooting in low light situations, iso 500 is often too slow. Im not sure why, but I expected Portra 800 to be lower saturation than Porta 400, but that didnt seem to be the case at all. Ive read that 400 iso film is versatile and can be shot in the daylight, but I find that with my camera I often have to use too slow shutter speeds that cause blurry photos even with 400 iso. I have been wanting to write about my latest crush, Portra 800, even made a selection of photos to include, but didnt get to writing it yet. A couple of rolls later I decided I should give Portra 800 a run for its money in lower light. Thanks for your input! When shot in daylight, an 85B filter is recommended and shooting the film at 500 ISO Acceptable for push processing up to 3200 ISO Recommended to process C-41 or you can process in ECN-2 chemistry . What caused excessively high grain in Delta ISO 400 film developed by a shop? The point of mentioning it in that review was more specifically to highlight how versatile the lens had felt on that camera, but adding Portra 800 into the mix really was the final piece of the puzzle for me. Plus your overall signal is cleaner. This created predictable consistency in the scans. //

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